Matilda’s theatre credits include Antigone in Jokasta, The Thebans (2026) performed as part of her second-year training, and Elizabeth Proctor in The Crucible (2024) at The SPACE Somerset. Through her training, she continues to explore the relationship between physicality, voice and emotional storytelling, developing a versatile and thoughtful approach to her work. She is delighted to be a part of Mary Shelley’s Frankenstein and bring her training and creativity to this production.